Frequently Asked Questions

This page answers common questions from producers, directors, agencies, and clients about professional production sound services. My focus is on delivering clean, consistent, and production-ready audio that supports an efficient shoot and a smooth post-production workflow.

  • I am responsible for recording all on-location sound during filming, with a primary focus on clear, intelligible dialogue. This includes microphone selection and placement, monitoring levels, managing wireless systems, and ensuring audio is captured to professional broadcast and cinematic standards.

  • Strong sound quality directly impacts the perceived quality of a project. Clean dialogue and well-recorded location audio reduce post-production costs, prevent reshoots, and allow editors and mixers to work efficiently.

  • I work on feature films, short films, documentaries, commercials, corporate and branded content, interviews, and digital media productions.

  • Booking early is recommended, particularly for longer shoots or projects with specific technical requirements. Availability for short-notice bookings depends on the schedule.

  • Rates are based on industry standard wages. Price includes shoot duration, equipment requirements, project type, location, and travel. Please reach out directly to discuss your project and receive a tailored quote.

  • Providing the script, schedule, location details, cast size, wardrobe considerations, camera type and quantify and post-production specs helps ensure an efficient and well-prepared shoot day.

  • Yes. I provide a complete professional sound package using industry-standard mixers, microphones, wireless systems, and timecode equipment appropriate for each production.

  • A standard package includes a professional field mixer/recorder, 2 wireless lavalier microphones, a boom microphone, monitoring headphones, power distribution, and timecode capability. Packages are scalable based on production needs.

  • My system supports multi-track recording, allowing each microphone to be recorded independently. This provides maximum flexibility in post-production, especially for scenes with multiple speaking roles.

  • I am based in New York and regularly work throughout the tri-state area. Travel for out-of-town productions can be arranged.

  • My primary role is production sound. I deliver well-organized, properly labeled audio files that integrate smoothly into editorial and post-production workflows.

  • Audio is delivered as industry-standard WAV files with accurate metadata and timecode. Audio can be delivered in different file/formats at client requests. Sound reports are available as well.

  • You can contact me through the website’s contact page, by email, or by phone. I am happy to discuss your project and recommend the appropriate sound approach.